* North America   ** North & South America   + Sundry Territories

Click on picture or name to access Artist page.

Corey Bix  

“With his linebacker’s build, it’s no surprise that, at 31, handsome Heldentenor-in-the-making Corey Bix produces a substantial sound, but it was the sheer sweetness of tone and tender regard for words and dynamic shading that set his Kaiser apart.”
Die Frau ohne Schatten, Oper Graz; Musical America

Gregory Carroll  

"Gregory Carroll revealed a firm, ringing tenor and keen dramatic instincts as Canio...He was a commanding presence from the outset, alternating rapidly between charm and menace…In Canio's aria of despair, ‘Vesti la giubba,’ Carroll sent Leoncavallo's impassioned lines soaring into space."
I pagliacci, Opera Cleveland; Cleveland Plain Dealer

Ladislav Elgr  ** +

"Tenor Ladislav Elgr offered fearless singing, not only mastering the treacherous high tessitura of his part, but meeting the vocal demands with radiant fervor. . ."
Janacek's Glagolitic Mass Die Presse Vienna

Efe Kislali  

“Efe Kislali sang the title role with an ever so slight baritone hue to his tenor, but was nevertheless brilliant in the high ranges.”
Otello, Aspendos International Festival; Seen and Heard International

Robert McPherson  

“McPherson's comic antics were right on the money...he ascends with gorgeous lightness and is able to draw out phrases and taper endings skillfully with lovely ornamental turns.”
Opera News

John McVeigh  

“The tenor John McVeigh brought a sweetly lyrical voice, young-buck eagerness and crisp diction to his portrayal of Prince Tamino.”
Der Zauberflöte, New York City Opera; New York Times

John Horton Murray   

“…John Horton Murray mastered the devilishly difficult part in awe inspiring fashion, despite the constant high tessitura…”
Mathis der Maler, Konzerthaus Wien ; Wiener Zeitung

Chad Shelton  

"Chad Shelton's Don José was the dramatic heart of this production; this was a performance that grew in complexity as he struggled to reconcile the forces of loyalty, lust and fate. Shelton owned the final scene, as his character descended into despair fueled by psychotic obsession. His bright tone amplified the intensity of the last gripping moments."
Carmen, Utah Opera;Opera News

Brian Stucki  

“Brian Stucki, whose voice soars easily in the high register, as Nadir was graceful and often poignant.”
Les Pecheurs des Perles, Seattle Opera; Seattle Post-Inteligencer, Opera News

Jon Fredric West   

"Siegfried was perfectly cast…the most vocally convincing Siegfried ever heard…a performance that was brilliant. His physical energy and vocal stamina were amazing."
Siegfried, Bayerische Staatsoper; North America Daily