* North America   ** North & South America   + Sundry Territories

Click on picture or name to access Artist page.

Jennifer Check  

"...it is a rare talent that can send chills down a listener's spine even in familiar music."
Carnegie's Zankel Hall Recital; The New York Times

Lori Guilbeau  

“Lori Guilbeau brought a beautiful tone and a graceful sense of phrasing to the title role.”
Pénélope, Manhattan School of Music; New York Times

Rena Harms  

“Soprano Rena Harms gave the title character’s music a winningly liquid, swooping aspect in a passage from Strauss’ Arabella.”
Arabella, San Francisco Opera's Merola Program;The San Francisco Chronicle

Georgia Jarman   

“…up-and-coming star Georgia Jarman as Violetta...sang beautifully, with a delicious lilt to her phrasing and a fine point to her words...she brought passion and flair…”
La Traviata, Caramoor Festival; Newsday

Inna Los  

Indira Mahajan  

“Indira Mahajan utterly steals the show playing the innocent 15-year-old. Mahajan’s voice is something like a beautiful epiphany, pure wrenching emotion matched with clarion precision. Her acting performance, meanwhile, is a thing of tender efficiency, never once slipping into the melodrama to which an overactive production of “Butterfly could easily succumb.”
Madame Butterfly, Arizona Opera; Tribune

Maureen McKay  

“But the undisputed star of the show was the young soprano Maureen McKay, playing the willful and wily Susanna. Armed with a silvery, precisely aimed voice, natural stage presence and the kind of beautifully detailed acting you don’t see often enough on the operatic stage, McKay turned in a smart, sexy and thoroughly charming performance."
Le nozze di Figaro, Wolf Trap Opera; Washington Post

Marisol Montalvo  

"...But the true revelation was the Lulu of Marisol Montalvo.. The American soprano possesses real stage and vocal presence, and executes the exhausting role with incredible intensity."
Lulu, Opéra de Paris; Le Monde

Sinéad Mulhern  

“..A much celebrated debut of the young Irish soprano, Sinéad Mulhern... She possesses a beautiful, slender, pure-timbred, well-produced soprano and her interpretation of Jenufa is most believeable. Because of this, Mulhern seduces, touches and turns Jenufa's destiny,"
Jenufa, Wiener Staatsoper; Wiener Kurier

Rebecca Nash  

“...as the ghostly Miss Jessel, Rebecca Nash shaded her silvery soprano with an eerie plaintiveness.”
The Turn of the Screw, Boston Lyric Opera;Opera News

Micaëla Oeste  

“Micaela Oeste sang in a bright, well-focused tone as the Woodbird.”
Siegfried – Washington National Opera; Opera News

Lyubov Petrova  **

Nili Riemer  

"...the floated pianissimos in her death scene were heart-stopping"
Lakme, Minnesota Opera; Opera News

Dagmar Schellenberger  **

"Dagmar Schellenberger was a vocally impeccable Countess...most touching in the last phrases of her long monologue."
Capriccio, Cagliari; Il giornale della musica

Larisa Tetuev   

“...one of the most beautiful and unique lyric soprano voices...charismatic stage presence...fascinating Butterfly.”
Madama Butterfly, Fort Worth Opera; Star Telegram

Jacquelyn Wagner  **+

“…But none can surpass the seductive vocal elegance of Soprano Jacquelyn Wagner who sang her heart out in a performance of the the Countess’ Aria Dove sono from Le Nozze di Figaro”
Opening Night Gala Concert Deutsche Oper; Berliner Morgenpost

Jennifer Welch-Babidge  

"Jennifer Welch-Babidge brought a sweet and penetrating lyric soprano voice and lovely presence to the role of Marzelline”.
Fidelio, Metropolitan Opera; The New York Times