* North America   ** North & South America   + Sundry Territories

Click on picture or name to access Artist page.

Awet Andemicael   

“…and young Awet Andemicael - a Harvard graduate - brought a sweet, vibrant soprano to the boy's narration”
El retablo del Maese Pedro, Boston Symphony Orchestra; The Boston Globe

Jennifer Check  

"...it is a rare talent that can send chills down a listener's spine even in familiar music."
Carnegie's Zankel Hall Recital; The New York Times

Eliane Coelho  **

“Eliane Coelho in the title role received the strongest ovations...she offered vocal passion and fascinatingly sensible phrasing.”
Fedora, Staatsoper Wien; Der Kurier

Anat Efraty  **+

“… placed herself firmly in the ranks of rising stars… with her complete mastery of her difficult vocal lines – quite the best of the half dozen or so singers I have seen in the role.”
Lulu, Staatsoper Wien; Opera

Valentina Farcas  

"Valentina Farcas was a wonderful Blonde...The petite soubrette with the pliant voice threatened at times to physically and vocally upstage the real heroine — Konstanze"
Die Entführung aus dem Serail, Salzburg Festival; San Francisco Chronicle

Nicolle Foland  

"...a splendid Alceste, her strong lyric soprano cleanly produced from top to bottom, with ringing high attacks and subtle musical touches gracefully executed."
Alceste, Opera Boston; Opéra International

Inessa Galante  **

“Few debut recitals are as impressive as this one by Inessa Galante…her secure, shining voice is a lyric soprano verging on spinto, easy in production even above the staff.”
“Inessa Galante – Debut”, CD Review; Opera News

Cynthia Haymon  ** +

“Luminous Pamina… with a voice of vibrant beauty...she draws us deeply into the character... ‘Ach, ich fühl’s’ was the highlight.”
Die Zauberflöte, Cleveland Opera; The Plaindealer

Lisa Hopkins   

“Hopkins' crystalline soprano emphasized the delicacy of the dying, tubercular Mimì. You wonder what this voice could do with Mozart's heroines.”
La Bohème on Broadway; the journal news.com

Georgia Jarman   

“…up-and-coming star Georgia Jarman as Violetta...sang beautifully, with a delicious lilt to her phrasing and a fine point to her words...she brought passion and flair…”
La Traviata, Caramoor Festival; Newsday

Lise Lindstrom   

“...an attractive, tall soprano who possesses a voice of gleaming intensity. She built “In questa reggia” to a powerful climax, every laser-like high note a brilliant, rock-solid monument to her voice and technique. The warmth came through, too, in the caressing of phrase after phrase, both in that aria and in the final duet... her career should soar just as surely as her high Cs did in this production.“”
Turandot, Cleveland Opera; Opera News

Indira Mahajan  

“Donna Elvira is the opera’s trickiest challenge for characterization: abandoned lover, helpless victim, and avenging fury, constantly shifting between tragedy and comedy; Indira Mahajan balanced these nuances with impressive dexterity."
Don Giovanni, Virginia Opera; Washington Post

Maureen McKay  

“But the undisputed star of the show was the young soprano Maureen McKay, playing the willful and wily Susanna. Armed with a silvery, precisely aimed voice, natural stage presence and the kind of beautifully detailed acting you don’t see often enough on the operatic stage, McKay turned in a smart, sexy and thoroughly charming performance." br> Le nozze di Figaro, Wolf Trap Opera; Washington Post

Marisol Montalvo  

"...But the true revelation was the Lulu of Marisol Montalvo.. The American soprano possesses real stage and vocal presence, and executes the exhausting role with incredible intensity." Lulu, Opéra de Paris; Le Monde

Sinéad Mulhern  

“..A much celebrated debut of the young Irish soprano, Sinéad Mulhern... She possesses a beautiful, slender, pure-timbred, well-produced soprano and her interpretation of Jenufa is most believeable. Because of this, Mulhern seduces, touches and turns Jenufa's destiny,"
Jenufa, Wiener Staatsoper; Wiener Kurier

Susan Marie Pierson   

“in the title role the charismatic Susan Marie Pierson...inhabited the character totally...brilliant top that cut through the orchestral fabric, dramatic middle tones and warm, carmine-colored low notes."
Elektra, Ausin Lyric Opera; San Antonio Express News

Nili Riemer  

"...the floated pianissimos in her death scene were heart-stopping"
Lakme, Minnesota Opera; Opera News

Dagmar Schellenberger  **

"Dagmar Schellenberger was a vocally impeccable Countess...most touching in the last phrases of her long monologue."
Capriccio, Cagliari; Il giornale della musica

Larisa Tetuev   

“...one of the most beautiful and unique lyric soprano voices...charismatic stage presence...fascinating Butterfly.”
Madama Butterfly, Fort Worth Opera; Star Telegram

Jacquelyn Wagner   

“…But none can surpass the seductive vocal elegance of Soprano Jacquelyn Wagner who sang her heart out in a performance of the the Countess’ Aria Dove sono from Le Nozze di Figaro”
Opening Night Gala Concert Deutsche Oper; Berliner Morgenpost

Jennifer Welch-Babidge  

"Jennifer Welch-Babidge brought a sweet and penetrating lyric soprano voice and lovely presence to the role of Marzelline”. Fidelio, Metropolitan Opera; The New York Times